Florian Weigl, Letterboxd (for The Inventory)
"Two principled, basic movements emerge: the correlation between sound/image and narration/association. The Inventory plays this for a linear correlation within the domestic spaces (cf. the segments in the house or the hotel room) and grows more associative once the protagonist gets exposed to the world."
Allison Chhorn, Letterboxd (for Tracy's Diary)
"Could almost see those video logs go on and on... forever the filmer isolated and the witness, after the fact, in lone mourning."
Allison Chhorn, Letterboxd (for The Moments Before Annihilation)
"A reflection of the alienation of daily routine and the anxieties of our current times, the film opens with an explosive montage and finds its way to one of those profound phone calls with a friend... it's exciting to see Escobar's craft and style becoming more refined."